All good if they started the compo around 20 and finished at midnight.
Yeah. I did kinda think through how they'd have to schedule things to make that happen. Probably some amount of moving a couple of Sunday things to Saturday and/or reducing concert time. Or starting with compos on Friday, I suppose, with a deadline before the party.
I'd hope so, can't validate that though. Generally I believe there there is a solid group of old timers stubborn to create demos for the lifetime and occasionally I find younger generations to break in. All that
combined convinces me scene ain't even close to dead, yet!
Yeah, hard to be able to say much of anything with certainty. But I did like Trixter's comment about how most of the stupid rivalries / hating on each other, etc. from 30 years ago are gone, and the scene is significantly more inclusive.
One person _did_ say, "Amiga rulez, PC dr00ls!", but it's hard to take it seriously.
And about the only things people are hating on are cancer and passing off AI artwork as your own creation.
There are two experiences on the party by my terms. One is on-site and
Yeah, the categories make sense, and I certainly felt it. On-site, I probably would've skipped the music compos, and go outside to have it be a little bit less loud, for a little while.
Off-site, I used the opportunity to play Age of Empires II with friends.
On site, I would've voted for more than I did. Off-site, I wound up constantly checking my work phone due to an unfortunate incident that would've had me on my laptop, had I brought it. But I probably would've checked less, if I were on-site.
On-line is more picky as you can't feel the culture the same without a hand shake, visual contact and a proper drink!
Yeah. I did miss getting to talk with people a bit more, or doing a bit of juggling.
That's actually true, hidden benefit to drag back Americans to the scene!
Perhaps drag Americans _into_ the scene, even. :)
Though they did have a satellite in Maryland, which was cool. I also wonder how the satellite in Japan went, as that had to made for interesting scheduling.
Oxbab from Oxygene for example. I quite recently repacked some old
French demos on Absinthe BBS with my commentaries. Paulie republishes
them on 20 4 Beers too. I picked up some old demos of Oxbab who disappeared by the end of 90s in my commentaries only to discover that he's come back this year at Revision with a remaster of his old Amiga demo.
Nifty! I don't think I'd even recognize the name, though I guess Oxygene is not completely unfamiliar. But it does sound nifty, and an interesting experience.
Though that reminds me that it was a bit odd not to see Kevin this year.
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